{"version":"1.0","provider_name":"Secret City Records","provider_url":"https:\/\/pro-pages.secretcityrecords.com\/fr\/","author_name":"scrweb","author_url":"https:\/\/pro-pages.secretcityrecords.com\/fr\/author\/scrweb\/","title":"Critique du spectacle du Journal de Montreal - Secret City Records","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"EJsr5i84zl\"><a href=\"https:\/\/pro-pages.secretcityrecords.com\/fr\/2012\/04\/26\/journaldemontreal-live-fr\/\">Critique du spectacle du Journal de Montreal<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/pro-pages.secretcityrecords.com\/fr\/2012\/04\/26\/journaldemontreal-live-fr\/embed\/#?secret=EJsr5i84zl\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Critique du spectacle du Journal de Montreal\u00a0\u00bb &#8212; Secret City Records\" data-secret=\"EJsr5i84zl\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.secretcityrecords.com\/wp-content\/uploads\/2016\/07\/Patrick-Watson-scaled.jpg","thumbnail_width":2560,"thumbnail_height":1698,"description":"D\u00e8s le morceau d\u2019ouverture, Lighthouse, le ton \u00e9tait donn\u00e9. Souvent post\u00e9 au piano, Watson nous apparaissait presque en transe sur sc\u00e8ne. Rares sont les artistes qui vivent autant le concert que Watson peut le faire. Souvent, des artistes nous apparaissent blas\u00e9s ou faussement int\u00e9ress\u00e9s par une prestation devant public. Pas Patrick Watson. \u00c0 chaque prestation&hellip;"}