{"version":"1.0","provider_name":"Secret City Records","provider_url":"https:\/\/pro-pages.secretcityrecords.com\/fr\/","author_name":"scrweb","author_url":"https:\/\/pro-pages.secretcityrecords.com\/fr\/author\/scrweb\/","title":"Magazine Rolling Stone - Critique du Festival de Jazz - Secret City Records","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"xnDcXyE1S5\"><a href=\"https:\/\/pro-pages.secretcityrecords.com\/fr\/2012\/07\/03\/rollingstonesjazz-fr\/\">Magazine Rolling Stone &#8211; Critique du Festival de Jazz<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/pro-pages.secretcityrecords.com\/fr\/2012\/07\/03\/rollingstonesjazz-fr\/embed\/#?secret=xnDcXyE1S5\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Magazine Rolling Stone &#8211; Critique du Festival de Jazz\u00a0\u00bb &#8212; Secret City Records\" data-secret=\"xnDcXyE1S5\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.secretcityrecords.com\/wp-content\/uploads\/2016\/08\/the-barr-brothers-valleyfield-scaled.jpg","thumbnail_width":1828,"thumbnail_height":2560,"description":"Parfait timing. Les marches d\u2019entr\u00e9e \u00e0 peine franchies, les lumi\u00e8res s\u2019\u00e9teignent. Une fille \u2013 Sarah Page \u2013 tire (symboliquement) sur une corde de sa harpe, tandis que dans la p\u00e9nombre, une guitare feutr\u00e9e occupe l\u2019espace sonore. Bienvenue dans la folk \u00e9th\u00e9r\u00e9e des Barr Brothers, dont la cote ne cesse de grandir \u00e0 Montr\u00e9al o\u00f9 ils&hellip;"}