{"id":5313,"date":"2012-04-26T15:31:54","date_gmt":"2012-04-26T19:31:54","guid":{"rendered":"https:\/\/pro-pages.secretcityrecords.com\/2012\/04\/26\/journaldemontreal-live-fr\/"},"modified":"2012-04-26T15:31:54","modified_gmt":"2012-04-26T19:31:54","slug":"journaldemontreal-live-fr","status":"publish","type":"post","link":"https:\/\/pro-pages.secretcityrecords.com\/fr\/2012\/04\/26\/journaldemontreal-live-fr\/","title":{"rendered":"Critique du spectacle du Journal de Montreal"},"content":{"rendered":"<p>D\u00e8s le morceau d\u2019ouverture, Lighthouse, le ton \u00e9tait donn\u00e9. Souvent post\u00e9 au piano, Watson nous apparaissait presque en transe sur sc\u00e8ne. Rares sont les artistes qui vivent autant le concert que Watson peut le faire. Souvent, des artistes nous apparaissent blas\u00e9s ou faussement int\u00e9ress\u00e9s par une prestation devant public. Pas Patrick Watson. \u00c0 chaque prestation qu\u2019il fait, le musicien ajoute sa touche personnelle qui rend la soir\u00e9e unique. Un exemple \u00e0 suivre.<\/p>\n<div class='scr-external-link'><a href='http:\/\/blogues.journaldemontreal.com\/gendron-martin\/actualites\/patrick-watson-lexemple-a-suivre\/' class='scr-btn-default' target='_blank'><span class='scr-icon-other-link scr-icon'><\/span>Ouvrir le lien dans un nouvel onglet<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>D\u00e8s le morceau d\u2019ouverture, Lighthouse, le ton \u00e9tait donn\u00e9. Souvent post\u00e9 au piano, Watson nous apparaissait presque en transe sur sc\u00e8ne. Rares sont les artistes qui vivent autant le concert que Watson peut le faire. Souvent, des artistes nous apparaissent blas\u00e9s ou faussement int\u00e9ress\u00e9s par une prestation devant public. Pas Patrick Watson. \u00c0 chaque prestation&hellip;<\/p>\n","protected":false},"author":1,"featured_media":904,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-5313","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scr-fr"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Critique du spectacle du Journal de Montreal - Secret City Records<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Critique du spectacle du Journal de Montreal - Secret City Records\" \/>\n<meta property=\"og:description\" content=\"D\u00e8s le morceau d\u2019ouverture, Lighthouse, le ton \u00e9tait donn\u00e9. Souvent post\u00e9 au piano, Watson nous apparaissait presque en transe sur sc\u00e8ne. Rares sont les artistes qui vivent autant le concert que Watson peut le faire. Souvent, des artistes nous apparaissent blas\u00e9s ou faussement int\u00e9ress\u00e9s par une prestation devant public. 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