{"id":5359,"date":"2012-07-03T13:38:24","date_gmt":"2012-07-03T17:38:24","guid":{"rendered":"https:\/\/pro-pages.secretcityrecords.com\/2012\/07\/03\/rollingstonesjazz-fr\/"},"modified":"2012-07-03T13:38:24","modified_gmt":"2012-07-03T17:38:24","slug":"rollingstonesjazz-fr","status":"publish","type":"post","link":"https:\/\/pro-pages.secretcityrecords.com\/fr\/2012\/07\/03\/rollingstonesjazz-fr\/","title":{"rendered":"Magazine Rolling Stone &#8211; Critique du Festival de Jazz"},"content":{"rendered":"<p>Parfait timing. Les marches d\u2019entr\u00e9e \u00e0 peine franchies, les lumi\u00e8res s\u2019\u00e9teignent. Une fille \u2013 Sarah Page \u2013 tire (symboliquement) sur une corde de sa harpe, tandis que dans la p\u00e9nombre, une guitare feutr\u00e9e occupe l\u2019espace sonore. Bienvenue dans la folk \u00e9th\u00e9r\u00e9e des Barr Brothers, dont la cote ne cesse de grandir \u00e0 Montr\u00e9al o\u00f9 ils se sont install\u00e9s. Une folk parfois si atmosph\u00e9rique que l\u2019on en viendrait presque \u00e0 se demander si apr\u00e8s le post-rock, le post-folk \u00e9tait en train d\u2019\u00e9tablir en direct live les tables de sa propre loi.<\/p>\n<div class='scr-external-link'><a href='http:\/\/www.rollingstone.fr\/Festival-de-Jazz-de-Montreal-jour,2374_2374.html' class='scr-btn-default' target='_blank'><span class='scr-icon-other-link scr-icon'><\/span>Ouvrir le lien dans un nouvel onglet<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Parfait timing. Les marches d\u2019entr\u00e9e \u00e0 peine franchies, les lumi\u00e8res s\u2019\u00e9teignent. Une fille \u2013 Sarah Page \u2013 tire (symboliquement) sur une corde de sa harpe, tandis que dans la p\u00e9nombre, une guitare feutr\u00e9e occupe l\u2019espace sonore. Bienvenue dans la folk \u00e9th\u00e9r\u00e9e des Barr Brothers, dont la cote ne cesse de grandir \u00e0 Montr\u00e9al o\u00f9 ils&hellip;<\/p>\n","protected":false},"author":1,"featured_media":907,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-5359","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scr-fr"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Magazine Rolling Stone - Critique du Festival de Jazz - Secret City Records<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Magazine Rolling Stone - Critique du Festival de Jazz - Secret City Records\" \/>\n<meta property=\"og:description\" content=\"Parfait timing. Les marches d\u2019entr\u00e9e \u00e0 peine franchies, les lumi\u00e8res s\u2019\u00e9teignent. Une fille \u2013 Sarah Page \u2013 tire (symboliquement) sur une corde de sa harpe, tandis que dans la p\u00e9nombre, une guitare feutr\u00e9e occupe l\u2019espace sonore. 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